Rather, it serves as a deeper corrective processor for those occasions when Auto mode doesn’t quite hit the mark, and a relatively intuitive workspace for remedial or creative manual repitching. Graph mode has never matched Melodyne for editing depth and power - and still doesn’t - but that’s not really what it’s trying to do. The UI feels noticeably more responsive than it did in previous versions, too. Fully manipulable “correction objects” are then automatically generated (based on the detected pitch profile of the source material) or drawn into the graph, defining fixed horizontal blocks, curves or straight lines that control the nondestructive retuning and timestretching of the audio.įor Auto-Tune Pro, Graph mode has been redesigned and enlarged, and added to with a bank of six user-definable Zoom State presets. The capture process is quick and painless (and avoided altogether in the ARA-compatible Presonus Studio One - see main text), and once it’s done, the waveform appears in the background of the piano roll-style interface, positioned correctly in relation to the host DAW timeline. More importantly, however, Auto mode now offers two distinct views: Basic and Advanced.Īuto-Tune’s Graph mode provides the means by which to edit the pitch and timing of a captured audio clip in fine detail. With AT Pro, the interfaces for both modes have been given an attractive (and long overdue) new look, and are completely reconfigured, layout-wise. It’s operated in either of two modes: Auto and Graph, the first enabling real-time parameter-driven automatic repitching, the latter for detailed ‘offline’ manual editing of pitch and timing (See Graph out loud). It can do this transparently, or with the ‘Cher/T-Pain’-style sudden jumps in pitch for which it became infamous, depending on how it’s set up.
In the simplest terms, Auto-Tune Pro - like all Auto-Tunes before it - takes an incoming monophonic signal (vocals are the primary target) and automatically corrects any wayward pitching within it - ie, it puts your out-of-tune singer in tune. However, we didn’t review Auto-Tune 8, so here we’ll take in the plugin as a whole, and point out the new additions as they come up. Considering that’s a three-year development period, the amount of new features added for the latest and greatest is actually rather meagre.
The new version, Auto-Tune Pro, replaces Auto-Tune 8, which was released in 2015.
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